It’s an enigma as old as live popular music itself. A veteran act wants to branch out, move forward and defy expectations, but fans want to hear from old favorites. It was the kind of challenge trumpeter Lee Morgan faced when he and his band played a two-week engagement atRead More →

There were plenty of trumpeters in the 1960s, but the Big Four were Miles Davis, Freddie Hubbard, Donald Byrd and Lee Morgan. Davis was most outwardly obsessed with innovation and constant forward movement: his 1965-68 quintet blew hard bop to smithereens, and while people were still absorbing that group’s ideas,Read More →

The jazz collection has an archaeological aspect; it’s one of my favorite aspects of the hobby. More than most other genres, jazz evolved in its early decades, and it did so on record. Each musician was distinctive, changing from session to session, and interacting with other musicians in ways specificRead More →

Philadelphia horn blower Lee Morgan had been with Blue note folders for nearly nine years when he recorded corn breadhis 12th album for the label, in a single session held on Saturday September 18, 1965. to listen corn bread now. Originally from Philadelphia, Morgan was a precociously talented trumpet prodigyRead More →

FilmRise has acquired worldwide distribution rights to Swedish director Kasper Collin’s Lee Morgan documentary “I Called Him Morgan.” The documentary had its world premiere at the 2016 Venice International Film Festival, then screened at the Toronto, Telluride and New York film festivals. “I Called Him Morgan” will be released theatricallyRead More →

BY MAT MARSHALL July 6, 2009 Log in to view the number of plays Lee Morgan Tom Cat Blue Note / Music Matters 2008 (1980) Tom Cat continues Music Matter’s program of re-releasing generally unavailable Blue Note sessions from the 1950s and 1960s on double 45 rpm vinyl albums. AsRead More →

Although Lee Morgan had already made a handful of albums by the age of 19, The Cook (1957) depicts his throwing of the gauntlet as successor to Clifford Brown’s vacant throne. It’s close to being a pure bebop session, reminiscent of a date like Reserved for musicians (Verve, 1956), onRead More →