Documentary ‘Comfort’ tells untold story of former ‘comfort women’
The late Kim Soon-ak stars in the documentary film “Comfort” directed by Park Moon-chil (Daegu Gyeongbuk Independent Film Association)
The late Kim Soon-ak had testified about her experience living as a wartime Japanese military sex slave, as well as her life as a housekeeper after the liberation of Korea before her death in 2010.
However, there were parts of her life that she had been reluctant to talk about in public for some time.
After the end of the Japanese colonial period, she lived in red-light districts and did sex work in an American military camp to survive.
Director Park Moon-chil’s documentary film “Comfort” reveals this little-known part of her story and why she had to make these choices through the voices of today’s women.
“Many people know former comfort women as war victims or protesters who share their experiences as sex slaves. I thought it would be interesting to show a story about their life between those two periods,” Park said at a press conference held at CGV Yongsan in Seoul on Wednesday.
The documentary project began with funds from Daegu Citizen’s Forum for Halmuni, an organization that runs Heeum, a museum about Japanese military wartime sex slaves in Daegu.
“They told me they wanted to make a documentary about comfort women. Their initial proposal, however, was something different,” Park said. comfort women, and I told them I wanted to do something different.”
Park said that was when he had access to the organization’s data and learned in detail about the late Kim’s existence.
“I felt especially attached to her,” Park said. “She seemed fun and charismatic. I was drawn to his character. »
The director also thought it was important to get her story out there.
“I think she fulfilled her role as a victim by leaving important historical testimony through oral discourse,” Park said. “She left an important record, but it’s not spreading, so I thought a lot about how to make the story relevant to people today.
He said the solution he found was to make women, who spoke out about their experiences as victims of sexual misconduct and who participated in the #MeToo movement, part of his film.
“I wanted to see what they had learned from the experiences of the comfort women. I thought it might bring those historic documents back to life,” the director said.
The director also added that it was difficult to find artists who could read Kim’s testimony in his documentary film.
“I wanted to find women who had a local accent similar to Kim Soon-ak’s. It would have been easier to find people who participated in the #MeToo movement in Seoul, but (to get the right accent) I looked for participants in the #MeToo movement in Daegu,” he said.
Also, because their full faces appear in the film, it wasn’t easy to find participants, Park said.
Park’s film also showcases the artistic side of the late Kim, showing how she created artwork with dried flowers and plants.
“People tend to think comfort woman movies are deep and dark, but this movie is warm and accessible,” Park said at the end of the press conference.
The documentary film will be released in local theaters on February 23.
By Song Seung-hyun (firstname.lastname@example.org)